Waypoints - seascapes and stories of Scotland's West Coast is the result of many years of exploring the idea that coastal navigation and storytelling have a lot in common. The shape of Garbh Eilean, one of the Shiant Islands (just  about appearing through the mist in the above image)  is a recurring icon in the work. Illustrations and the cover image by Christine Morrison are also indebted to  several years of voyaging together.



Each section celebrates a craft which has brought me through the seascape linked to an inherited narrative. The book was published by Adlard Coles Nautical/ Bloomsbury in 2017. It was nominated for the Mounbatten award for maritime literature and shortlisted for a Saltire literary award. The paperback is due early in 2018.

I loved Waypoints. It is a really beautiful book, above  all in its conception, the marriage of telling and sailing, voyages as stories and stories as voyages, something which of course has its Odyssean beginnings, but movingly and saltily real. Metaphors swim in (Stephen’s) wake. Completely effortlessly so that the book at times seems woven like a sail, or scarfed and clenched like a hull, or tied together like a course across a sea —life as ship as sail as journey as a man's life. And the other dimension of it all that I loved is the sense of crowdsourcing in it, drawing like Homer or the Kalevala on deep wells of communal understanding which find their mouths in each new generation, modulating with the ages but still with some kind of artery going down into the past. It is like the Minch speaking.’                                                                                              Adam Nicolson

‘…a deep respect for the peoples and environments he encounters. And accompanying this is a poetic sensibility that is evident in some beautifully lyrical moments of prose and not least in his preoccupation with and dedication to inherited narratives informing the seas, the shores and landscapes through which he travels.’                                                                            Tom Lowenstein

Transits  is the working title of a second book which alternates factual accounts of voyaging with Ian's retelling of a folk-tale set in the geography observed. This time the book is also a portrait of the author's relationship with the sloop El Vigo (pictured at the heading of this page).

Ian's fiction and non-fiction are represented by Jenny Brown Associates. His current project, funded by an Open Project Award from Creative Scotland is his second novel, provisionally titled Call Me Peter. In one sense it will be a free-standing work but it will also fall in place as part of  planned trilogy. Readers of A Book of Death and Fish (Saraband) will recognise, at times, the voice of the wayward storyteller, Peter MacAulay.

may well take its place beside Moby-Dick, asking of you something as much and giving in proportion - which is to say incalculably much, and that long after you have finished it, over and over. It will, I suspect, be one of those books I will not put down all my days: island life, life at sea, being en-islanded, the isolation of failed understanding, of loss, of identity, even of nationhood - and of tank warfare - of addiction and of much else, all broached in a daring remade language that teaches you how to read it.

Candia McWilliam, in The Herald, Books of the Year, 2014

'Ian Stephen’s vast and intricate  (Saraband) hooked me in from its first paragraph –it is a Waterland for the Outer Hebrides, and seems to me a major moment in the modern literature of those islands.'           Guardian Books of the Year 2014                                                                                                                  'I think it’s a landmark in Scottish literature and in contemporary fiction.'                                             Robert Macfarlane (in filmed interview, Saraband publishers website)

'...may well take its place beside Moby-Dick, asking of you something as much and giving in proportion - which is to say incalculably much, and that long after you have finished it, over and over. It will, I suspect, be one of those books I will not put down all my days: island life, life at sea, being en-islanded, the isolation of failed understanding, of loss, of identity, even of nationhood - and of tank warfare - of addiction and of much else, all broached in a daring remade language that teaches you how to read it.                Candia McWilliam, in The Herald, Books of the Year, 2014


Ian and Christine  presented their collaborative work at the Australian Wooden Boat Festival, Tasmania 6 - 9 Feb, 2015. Christine also took part in a group exhibition of artists' responses to poetry. See www.stephenmorrison.org and The Island Review on line journal:

http://www.theislandreview.com/ian-stephen-hemispheres/


  Cape Bruny Lighthouse, Tasmania


Christine and Ian have also worked together on the images and texts from voyages which are being developed in partnership with Museum nn Eilean, an Lanntair, Stornoway, an Talla Solais, Ullapool and Taigh Chearsabhagh, Lochmaddy  as the exhibition, Grammar of Wavelength.


This body of work has  led into the illustrations which provide section headings for maritime
– a new and selected poems on sea themes, published by Saraband in 2016.




The exhibiton and Waypoints were reviewd by Jon Miller in Northwords Now:

http://northwordsnow.co.uk/userfiles/file/issues/issue34/NNow_34_web.pdf

Christine Morrison’s paintings emerged from the Stephen|Morrison residency in Tasmania. Containing hand ground earth pigment, these, in their rough ochres and reds, evoke the blood running in the earth and the brutalities visited on the Aboriginal people further echoed in Stephen’s accompanying poem Ash in the figure of the spiny anteater, the echidna. There are images of grain silos in Saskatchewan taken whilst driving: huge structures acting as landmarks that become lighthouses or waypoints by which someone might navigate across the flat immensities of the Canadian prairie landscape. Others - grainy washed-out, photogravure images of Sule Skerry, Fair Isle, Boreray, Sula Sgeir, all taken at sea level - give the land forms an eerie otherworldliness, like mythical lands, Ultima Thule or those encountered by wandering Celtic monks in the Voyage of St Brendan and are accompanied by a traditional tale particular to that island. Something of an artistic aesthetic appears in Waypoints, as Stephen’s describes how boats go through their various incarnations and restorations, (often individualised by the tastes of their different owners) and how the essential shape (which will also have minor variations depending on location and function) is re-formed and re-fashioned just as tales are with their localised variations thus becoming a ‘living thing’. In this constant re-forming and re-telling, individuals and communities become bound together, a common culture to be handed on to yet more change.

Recent Events

Rathlin Sound Festival - Ian and Christine Morrison sailed from Lewis in the yacht Rebecca, to join in the festival programme, in 2014 and then returned in their own El Vigo to take part in the 2015 , 2016 and 2017 events.

 Morrison helms El Vigo to Gigha

Their event Voyage, developed for the 2013 Edinburgh International Storytelling Festival, with the singer Kirsty Law, was performed on Rathlin with the skipper and tin-whistler Ken Linklater  contributing tunes and percussion.

The show, this time with the sound-sculpture of Giles Perring, also opened Settle Stories festival in Yorkshire (9th to 12th Oct)

"Voyage is a superbly crafted storytelling experience in which narrative, song, music and evocative visuals all combine to draw us into the storytelling magic…. the perfect launch for the Scottish International Storytelling Festival 2013’  (Donald Smith, Festival Director ).

For a taste of 'Voyage', click here: http://vimeo.com/85604546


Commonwealth Poets United

 Close-up of a grain-elevator, Saskatchewan

Ian represented Scotland in Canada as part of the Scottish Poetry Library's  exchange  of 6 Scottish poets with 6 poets from Commonwealth countries.

Christine was funded to travel with Ian and make work in response, thanks to Creative Scotland – a comparison between a 3 night voyage to shetland and a 3 night train journey over the prairies.


http://commonwealthpoetsunited.com/2014/04/04/from-place-to-place/